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Showing posts with label Napoleon. Show all posts
Showing posts with label Napoleon. Show all posts

Friday, August 14, 2015

Paris 1814



Paris 1814

This August, Lady Chance, a Regency romance set in Paris, 1814 comes out. It’s the follow-up book to Lady Scandal, which was set in France of 1803. Both years are times represent short breaks in the Napoleonic wars—the peace of 1803 was a fragile thing that barely lasted, and the surrender of Paris to the allied armies in 1814 didn’t last. But Paris in 1814 was the place to be for excitement and to watch history being made.

On March 30 to 31, 1814, the battle for Paris was fought. Napoleon was advancing to Paris to reinforce his troops, but with Russian in control of the Montmartre Heights and Prussian troops ready to take the fight into the streets of Paris, Marshall Marmont contacted the Coalition and reached a secret agreement with them to spare Paris.

On March 31, Prince Talleyrand gave the key of the city to Tsar Alexander The Tsar and his staff entered the city followed by the King of Prussia and Prince Schwarzenberg. The city had feared for its safety. However, Tsar Alexander made it clear that he regarded Napoleon as the enemy of Europe—not France. He entered the city as a liberator, riding a white horse, and was cheered as the man who has spared Paris looting, burning, and destruction.

On April 2, the French Senate passed an act to declare Napoleon deposed. Napoleon had advanced as far as Fontainebleau and heard that Paris had surrendered. His marshals would not fight with him and urged surrender. On April 4, Napoleon abdicated in favor of his son, the King of Rome, but this was not to be allowed. Napoleon had to abdicate unconditionally, and he did so on April 6, and was exiled to Elba. On April 11, the war was officially over when the Treaty of Fontainebleau was signed—Napoleon took a poison that had been mixed for him and that he carried with him in case of capture. But the mix of belladonna and opium had lost its potency, and doctors revived him. He recovered and left for Elba on April 20. However, it is thought that he never regained full heath for stomach problems plagued him the rest of his life.

Napoleon was allowed to take with him one thousand of his Imperial Guards, which would pave his return the following year—and there is every indication that plans for his return were already being made in 1814.

In Lady Chance, the heroine—Diana—and her cousin come to Paris in mid April, with treaties still being drafted and signed. Only English diplomats, such as Diana’s cousins, were in Paris, but a few brave souls also traveled to Paris in April. Letters from a Lady (Miss Anne Carter) to her Sister during a tour to Paris in the months of April and May 1814 offers up terrific, colorful details of events including the return of the Bourbons.

On May 3, Louis XVIII arrived in Paris with a grand procession through the city. Parisians turned out to throw lilies—the flower of the kings—to cheer and shout, and only a little grumbling was heard. The comte d'Artois—Louis’ younger brother who would later become Charles X after Louis XVIII’s death—had ruled as Lieutenant-General until his brother's arrival, and would continue on as part of his brother’s council. Louis’ niece—married to the comte d'Artois son, the duc d’Angoulême—sat next to Louis XVIII. The only surviving child of Louis XVI, the duchesse was described as “very fair, and has rather large eyes, which still bear the marks of the Revolution…” She was seen to be nervous of the crowds, and rightly so, given that many of these same people had cheered when her parents were beheaded.

Napoleon's senate called Louis XVIII to the throne, but they set down the condition that he must accept a constitution that included recognition of the Republic, an elected parliament, and the tricolore of the Revolution. Louis XVIII opposed most of those ideas, disbanded the senate and made his appeal to the French people—who were split in their loyalties. Royalists wanted their king back, but some hid their tricolor flags and bided their time; the army was sullen, but the marshals of France swore their loyalty to the king. Anyone who had power was working hard to keep it, and anyone wanting power was plotting to take it.

Paris was a city split—as was France. Louis XVIII needed to keep the country functioning and stable, which meant he must retain those who had held power under the empire. But Louis also had to reward those who had stayed loyal to the crown, with a return of their lands and titles. The comte d’Artois, the ducs d’Angoulême and d’Berry sat on the king's council and it was headed by Talleyrand, who’d been made a prince by Napoleon. Louis wanted to be king in the old style, but he faced an empty treasury, and he had an occupying army who were trying to make a lasting peace.

The leaders of the occupying armies demanded a constitutional monarchy—they wanted France to remain stable. To pacify them, Louis drew up the Charter of 1814, which was very progressive for that era. It kept intact many of the reforms of the Revolution, along with the Napoleonic Code, which guaranteed legal equality and civil liberties. However, the preamble declared it a ‘concession and grant’, given ‘by the free exercise of our royal authority’—meaning Louis wanted the ability to reverse everything if he chose.

Louis also signed the Treaty of Paris on May 30, in which Paris gave up the territories Napoleon had conquered. That was the main reason the allies were supporting Louis—they got their lands back. In exchange, France would not have to pay war penalties, and the foreign armies would withdraw from Pairs. This left many unhappy—many Frenchmen thought the Empire had been a natural extension of France’s borders.

It didn’t help that Louis XVIII soon went back on promises. Unpopular taxes were left in place. Louis chose the traditional white flag of the kings of France. Returning aristocrats were given back their lands, while those who had been ennobled by Napoleon saw their lands taken away with the return to France’s old borders. Expenditures on the army were slashed, leaving them grumbling, and Louis’ devotion to the Catholic Church left non-Catholics unhappy. A post-war slump in the economy hit everyone, and Paris began to resent the English who came in droves and had money to spend.

But the bitter unhappiness that was to hit in the fall and winter of 1814 was months away in spring. April and May of that year was one of entertainments and celebration. Paris glittered with illuminations and the campfires of the armies. Diana and her cousin had balls to attend—and plots to uncover.

For an undercurrent of waiting wove through the city to see what the Emperor would do. There was still a belief in Napoleon’s magic—that he wasn’t just an ordinary man. There were still doubts that Louis—old and ridden by gout—would be a just king. There were plots and schemes, and all of that is what makes for rich ground to set a novel.

AN EXCERPT FROM LADY CHANCE


Taliaris waited in the alley two streets down from the Palais Royal. Away from the boulevards, the cafés and the restaurants, this street seemed dingy and dark. A single reverbères hung from a rope stretched across the street, its light dim though the dirty glass. 
He could smell filth from the gutter than ran down the center of the lane.

He settled his shoulders against the wall and kept his hands loose and ready. It was a narrow, mean street, its square cobblestones worn by the centuries. Typical Paris, he thought, wishing for open countryside and the smell of things that grew—not piss in the street and god knew what else.

The small shops that lined the way had closed hours ago. Only a thin slice of moon and a scattering of stars lit the unshuttered windows. Distant voices floated to him. He could make out a drunken song in some language. It wasn’t French. Rough Cossacks, he guessed and hunched a shoulder against the dragging, sad melody.

This was a spot for melancholy and ill remembrances.

Perhaps the late queen’s tumbrel had creaked down this street, weaving its path from her final prison at La Conciergerie to the Place de la Concorde. That had been rechristened yet again back to the Place Louis XV and the guillotine no longer stood in the elegant square, but that was about all he knew of Paris. He had been gone long years from France, and Paris was not his city. He was a man from Bordeaux, from a small village where the grapes grew fat and every man knew his neighbor. He could wish himself there now.

However, he still had a duty to France. And to his family. And then at last he would have time to look to his own future. He could think of a wife at last. A woman who would not mind the hard work of a vineyard. A woman who could give him strong sons. A woman who could cook and clean. The image of his family’s old stone house rose to mind—but a picture flashed of a pretty girl with golden hair at the door of what was now his home. Ah, but no. Lady Chauncey had soft hands. She wore fine silks. A lady such as her would have nothing to do with life in a village such as his.

Still, the image teased at him.

What would have happened if ten years ago he had kept hold of his English girl? He could not say. And how could he have left her alone in his village, knowing no one, while he returned to war?

Footsteps echoed, and Giles put away such thoughts. A large man strode down the alley toward Giles.

Tall and heavily built, the giant trod light upon the cobblestones for one so hulking. But then Andre Dufour had always been one to surprise. Dufour still wore his uniform and the brass buttons from his white waistcoat gleamed in the faint light, but Giles knew Dufour had to be on leave.

Andre stopped before him and tucked his right hand into the pocket of an open greatcoat that had seen much service. “A cold spring, eh, but not so much chill as the Pyrenees gave us.”

“Careful, my friend. It is not fashionable these days to speak too much of La Grande Armée’s past.”

“Fashion? I am not one for that. Not like your brother. I hear young Françoise has taken up with an actress who rivals the diamond of the Comédie Française, Mad’moiselle Mars. And so it is now the rage to haunt l’Odeon for a glimpse of this girl. Seems a stupid thing to do with a woman—to only watch for her. But who am I to judge since I have no woman?”
Regret tugged at Giles, an old and familiar one that settled in his chest like a weight. He ought to have…

Ah, but he had done what he must. His wants did not enter into this. Still, it had been unsettling to have his past come back to him tonight. His cheek tingled and he rubbed it with his thumb. An even greater shock had sizzled over his skin to see his English girl and hear her voice again. He allowed himself to pull out the memory one last time—salt air damp on his face, a girl in his arms, her hair spilling long and golden in the pale light of early morning, her lips soft and parting. The ache lifted in his chest.

With a shake of his head, he pulled the flask from the inside pocket of his coat. He opened it and the aroma of brandy stung the night. Giles offered the flask to Dufour, who took a long swallow.

A skittering from the dark end of the alley froze Giles. Andre slipped his hand from his pocket and half turned. Moonlight flashed on the steel of a small pistol. Giles slapped Andre’s upper arm, took back his flask and tucked it away again. “Walk with me. Let us find a place with noise and something better to drink.”

Friday, July 10, 2015

Paris in 1814: The Palais Royal



I've just finished my next Regency romance, Lady Chance, a book that is a follow up to Lady Scandal, and am getting it ready for publication, and the fun part has been digging into Paris of 1814. For the setting, the Palais Royal plays a part in the story, and it's both a beautiful (and still standing) structure, and one with a great deal of history.

The Palais Royal was originally designed by Jacques Lemercier and built from 1629 to 1639 for the infamous Cardinal Richelieu (the one who is the menace in The Three Musketeers). The building was first known as the Palais Cardinal, but it became a royal palace after the cardinal bequeathed the building to King Louis XIII after his death.

When Louis XIII passed, the palace became the home of the Queen Mother, Anne of Austria, and then Henrietta Maria and her daughter Henrietta Anne Stuart, who had escaped from the English civil war, took up residence. Henrietta Anne married Phillipe de France, duc d’Orléans, and the palace became known as the House of Orléans, and the duchess installed the ornamental garden of the palace.



After the death of Louis XIV, the duc d’Orléans became regent of Louis XV. The Palais Royal was then opened so the public could view the Orléans art collection, starting its history as a much more public building.

In the late 1700's, Louis Philippe II renovated the palace, surrounding the garden with a mall of shops, cafes, salons, refreshment stands and bookstores.


The Palais Royal also became a meeting ground for revolutionaries. During the Revolution, Philippe d'Orléans became Philippe Égalité and changed the building to be the Palais de l'Égalité. He opened the gardens to everyone and enclosed the gardens with regular colonnades.

Upon the death of the duc, the palace's ownership lapsed to the state, whence it was called Palais du Tribunat for a time.  But under Napoleon and his empire, the Palais Royal took back its name but continued its function as a place where anything might be had for a price.


On the ground floor shops sold “perfume, musical instruments, toys, eyeglasses, candy, gloves, and dozens of other goods. Artists painted portraits, and small stands offered waffles.” The demi-monde could parade here in the gallery--alongside proper ladies--and the demi-monde often had rooms on the upper floors for their customers convenience.


While the more elegant restaurants were open on the arcade level to those with the money to afford good food and wine, the basements of the Palais Royal offered cafes with cheaper drinks, food and entertainment for the masses, such as at the Café des Aveugles. And the cafes were place to see, be seen, and plot.

In 1807, the Palais Royal boasted “twenty-four jewelers, twenty shops of luxury furniture, fifteen restaurants, twenty-nine cafes and seventeen billiards parlors.” And that wasn’t all of the the shops. A theater occupied each end of the galleries, and the building offered some of the most popular cafés and restaurants in Paris, including Le Grand Véfour.


On the second floor, elegant card rooms offered deep play--these were the gaming rooms, both elegant and notorious for places where a young, rich man might lose his fortune.

During the Restoration of the Bourbons, the Palais Royal’s former gardens with its chestnut trees were enclosed by three large arcades, one of stone, one of glass and one of wood. The stone arcade still stands.

The Palais Royal became a shopping heaven for the English visiting in 1814--and they adored the restaurants and food (and the fact that ladies could dine on their own in the more loose society of Paris). And all of that made for some fun scenes in Lady Chance. I also had the chance to visit the Palais Royal, which still houses wonderful shops under the stone arcade.