Guest Kiki Howell: Playing With The Old Rules

Linda Banche here. Today I welcome Kiki Howell and her latest book, the erotic Regency paranormal, Torn Asunder. Here she talks about those strange-to-us Regency rules of propriety.

Welcome Kiki!

When writing from the point of view of the women and men of Regency England, I find it fun to play with the rules and restrictions and systems of etiquette set by the aristocracy to set themselves apart from the masses. For example, the gentler sex, as women were referred to, could not renounce the system, live free of the social conventions of the times, but it is entertaining to let your heroine think upon it and the possible outcomes of such actions.

Propriety demanded that emotions be controlled in public, even though swooning was readily accepted among the women. But my heroines, they fight the body's inclinations to faint and rant and rave about injustices behind closed doors. I like them to fit in, obey the rules, and yet be strong and smart at the same time. Are there a lot of scenes in my books that are ‘behind closed doors’ then? Of course! In my newest novel, Torn Asunder, my heroine also has magical powers she has to hide as well. Her way of covering for her study of magic was to call herself a bluestocking, a woman who was highly educated since in the early eighteen hundreds in England women were not generally educated as much as the men.

If you think the odds are against my main gal there, well, I kept going. Arranged marriages were common with certain restrictions on the fond idea of marrying up. I set my heroine in a lower class and had her fall in love with a man whose family had already established who he was to marry. She had a lot working against her as she tried to live within the bounds of the old rules of the upper ten thousand. And, I enjoyed immensely playing with each situation. To me, it is half the fun of setting your story during those times. It builds suspense, complicates the romance and leads to interesting situations in a time in history that seems magical to me even before I add paranormal elements to it.

What is the other half of the fun you may ask? Well, frolicking within the homes, planning the meals, making the social calls, dressing up in the garments and establishing the businesses of the time. Of course, that is not even to mention visiting the pleasure haunts of Regency England like Vauxhall Gardens and such.

So, I hope you will enjoy my newest novel as much as I did writing it. Fraught with scenes of explicit intimacy, romantic spells and mystical shapeshifting, Torn Asunder is a unique blending of the age of manners with sexual magic.

Torn Asunder BLURB:
Aubrey Griffen is a witch whose true reasons for coming to London soon fall to the wayside when she catches the eye of Edmund Bryant, the Marquess of Dalysbury. He seduces her into a whirlwind romance until the lies and threats of his mother force her to flee to Triaill Brimuir, a secret island of her ancestors off the coast of Ireland. Edmund goes after her only to be hit by Aubrey’s confusion and anger when she magically transforms him into an elemental beast of her own creation.

However, it is when Edmund’s lust mysteriously turns him back into a man that the couple are forced to deal with a family secret and untold of powers. Now, Edmund must learn to shift himself into the beast in order to save her in a battle of black verses white magic.

Genres: Historical (Regency), Paranormal (Witches & Shifters), Erotic Romance

Purchase at in ebook or trade paperback at Excessica Publishing or Amazon as well as many other retailers.

Ladies Regency Fashion--"Undress"

The Regency era brought dramatic changes in women's fashion. Those huge hoop skirts and pinched waistlines popular in the Elizabethan Era disappeared in favor of the Roman style gown with high waistlines and lighter fabrics.

Ladies of the Beau Monde changed her clothing at least three different times a day depending on the time of day and her activities. Because the aristocracy and upper crust were so steeped in tradition and manners, they had no trouble following the rules. However, I have no doubt that arrivistes and the rising middle class found this custom bewildering.

UNDRESS
The term Undress, or dishabille, was the more casual or simpler style of gown worn at home usually in the morning. These were loose, comfortable gowns made with warmer fabrics and had higher necklines than gowns worn later in the day. Ladies often wore a cap in the morning, too. Ladies wore Undress gowns all morning until noon, depending on scheduled outings or visitors. On a quiet day, a lady might wear Undress until four or five in the afternoon. Sometimes undress gowns were quite decorative. Alison Steadman as Mrs. Bennet in the 1996 film version of Sense and Sensibility wore a morning gown in the film that closely resembled an 1815 Ackermann fashion plate. The actresses playing the Dashwood women often wore an apron or pinafore over their dresses when picking herbs or working in the kitchen. I don't know how accurate this is, or if they only did so because they were not overly wealthy and had to be very careful with their clothing.

Mornings were a time for solitude and tending to the house. For the lady of the house, her morning activities were fairly regimented. After rising, dressing, and eating breakfast, she consulted with her cook and housekeeper, and caught up on her correspondence.

Young ladies such as Jane Austen often practiced the pianoforte first thing in the morning. Ladies also read, sewed, wrote letters, made preserves, and oversaw the gardens.

When I'm staying home, I like pajama pants or stretch pants and a big soft T-shirt. (My favorite writing attire) Of course, if I were to tell my husband I planned to wear undress today, he'd imagine something entirely different ;-)

What do you like to wear when you're at home?

Guest Leigh Michaels: How to Have an Affair, Regency Style

Linda Banche here. Today I welcome Leigh Michaels, whose latest book is the Regency historical, The Mistress’ House. Here she talks about how to conduct an affair in Regency times.

Leave a comment with your email address for a chance to win one of the two copies of The Mistress’ House which Sourcebooks has generously provided. Leigh will select the winners. Check the comments to see who won, and how to contact me to claim your book. If I cannot contact the winners within a week of their selection, I will award the books to alternates. Note, Sourcebooks can mail to USA and Canada addresses only.

And the winners Leigh selected are StephB and catslady! Ok, you two, I know who you are and I've sent you email.

Welcome, Leigh!

There were many ways for a Regency gentleman to carry on an affaire, from visiting a bordello to sneaking into a lady’s bedroom at a house party to finding a quiet nook in a hay barn on his country estate. Sometimes the location depended on the duration and depth of the attachment between the lovers; a few years before the Regency period, the Duke of Devonshire installed his mistress – who also happened to be his wife’s best friend – right in his household, and he carried on the affair until the death of the duchess left him free to marry his mistress.

But the most romantic-sounding of all the possible ways for a pair of lovers to get together was the love nest – where a gentleman hired or bought a small house in which he could install the lady of the moment in comfort and security (for her) and convenience (for him). As Thorne thinks when he’s considering buying the house which becomes The Mistress’ House:

There was certainly merit to the notion of buying a house just off Portman Square. If he could tuck a mistress into a trysting place just a step from his own garden, he could avoid a long list of inconveniences. Kicking his heels for hours while messages were delivered and answers returned… Riding halfway across London for an assignation… Finding new, safe, and very secluded meeting places… Wandering around the halls of a country house trying to locate a particular lady’s bedchamber… Keeping his horses, and the grooms who cared for them, waiting outside a private house on a cold day…
© Leigh Michaels, Sourcebooks Casablanca, 2011

Young women of the day – even those who had been married and widowed – were well-protected from scandal even when they didn’t wish to be. In The Mistress’ House, Anne Keighley is staying in her brother’s house, so she can’t exactly invite her lover to stop by her bedroom. Living with relatives means that her time has to be accounted for, or her brother and sister-in-law will ask questions. She can’t simply go off by herself without taking along a maid or footman or groom, and her brother’s servants owe their loyalty to the man who pays their wages.

Throw in the practicalities – like a gentleman’s coat that was so tightly fitted it required assistance to put on, and a lady’s corset and petticoats – and it’s a wonder clandestine Regency lovers ever managed to get naked together.

So the idea of a love nest – a private house where a couple could be together with minimal risk of interruption – was an attractive option for the man who could afford it. His mistress would be always on call, at his convenience. And when he tired of one paramour, he could move her out while he was looking around for her replacement.

Though having a discreet little love nest right around the corner didn’t quite work out the way Thorne hoped it would in The Mistress’ House…

In the book, the love nest is located at Number 5, Upper Seymour Street (isn’t that a lovely aristocratic address?) Though no illustration exists, maps of the period show there was a real house located there, pretty much as it’s described in the book. It stood directly beside the entrance to Berkeley Mews, just around the corner from Portman Square.

Today it’s just called Seymour Street. The houses are gone, and a hotel now occupies the site where The Mistress’ House stood during the Regency era. It’s fitting, I think, that the hotel is called the Hyatt Regency!

THE MISTRESS’ HOUSE BY LEIGH MICHAELS – IN STORES FEBRUARY 2011
Three beautifully intertwined love stories…

The rules are made to be broken…
When the handsome, rakish Earl of Hawthorne buys the charming house across the back garden from his town home, he never expects the lovely lady he installs there to ensnare him completely…

Again…
After Lady Keighley marries the earl, it seems a shame to leave the house empty, so she offers it to her childhood friend Felicity Mercer, who discovers that the earl’s gorgeous cousin is precisely the man she’s been waiting for…

and again…
Finally, feisty Georgiana Baxter moves into the house to escape an arranged marriage, and encounters the earl’s friend Major Julian Hampton late one night in the back garden. The handsome soldier is more than willing to give her the lessons she asks for…

There is plenty of gossip, scandal, and torrid speculations surrounding the “mistress’ house”, but behind closed doors, passions blaze…

ABOUT THE AUTHOR
Leigh Michaels is the author of nearly 100 books, including 80 contemporary novels and more than a dozen non-fiction books. More than 35 million copies of her romance novels have been published by Harlequin. A 6 time RITA finalist, she has also received two Reviewer's Choice awards from Romantic Times, and was the 2003 recipient of the Johnson Brigham Award. She is the author of On Writing Romance, published in January 2007 by Writers Digest Books. Leigh also teaches romance writing on the Internet at Gotham Writers’ Workshop. She lives in Des Moines, Iowa. For more information, please visit www.leighmichaels.com.

Regency Dancing and the Quadrille

Dancing was an important part of British society. Most everyone, from lower gentry to upper aristocracy considered dancing as an indispensible form of courtship. Almack’s was famous for hosting gatherings of the Beau Monde. One of these popular dances was called the Quadrille.

In his memoirs, Captain Gronow recalls its first appearance within the fashionable ballroom at Almack's:

"In 1814, the dances at Almack's were Scotch reels and the old English country-dance; and the orchestra, being from Edinburgh, was conducted by the then celebrated Neil Gow. It was not until 1815 that Lady Jersey introduced from Paris the favourite quadrille, which has so long remained popular. I recollect the persons who formed the very first quadrille that was ever danced at Almack's they were Lady Jersey, Lady Harriet Butler, Lady Susan Ryder, and Miss Montgomery; the men being the Count St. Aldegonde, Mr. Montgomery, Mr. Montague, and Charles Standish."

Within a few short years, dozens of sets of music for quadrilles were being published and new sets of figures composed. The opinionated Jane Austen, however, was less than impressed with this new dance:

"Much obliged for the quadrilles, which I am grown to think pretty enough, though of course they are very inferior to the cotillions of my own day." Jane Austen to her niece Fanny Knight, February 20, 1816

Every fashionable Regency ballroom must include at least one quadrille, which is actually a set of five shorter dances. The most highly fashionable dancers might even indulge in some of the brand-new dance forms of the very end of the 1810s that adapted the formation of a couple facing a couple, and figures of the quadrille into country dances and recreated the idea of "improper" dances, in which the leading couple in a set started off on the opposite gender's side. Scandalous!

Dances were not started with everyone moving simultaneously. Instead, the first couple, or head couple, began a set. The rest watched to see what the dance would be. This was a position of honor and responsibility, an opportunity for that couple to show off the excellence of their steps and set the standard for the other dancers. In Mansfield Park, Fanny found herself in this honored position:

"...and she found herself the next moment conducted by Mr. Crawford to the top of the room, and standing there to be joined by the rest of the dancers, couple after couple, as they were formed."

As the couple worked their way down a long set of dancers, which could take ten minutes or more, the other dancers joined in, until the entire set was moving. Once the lead couple reached the bottom, they stood out briefly before rejoining the dance to assist the other couples progressing down the set. This time was a great opportunity for private conversation with one's partner. It also had the additional advantage of allowing time to catch one's breath after such vigorous non-stop dancing.

In my newest Regency Romance Novel, The Guise of a Gentleman, the hero, Jared, knew attending balls and dinner parties in the country was his best way of getting to know the other members of the aristocracy to help him discover the leader of the pirate ring he'd been steadily tracking down. Such gatherings were also a place where the heroine, Elise, went when she decided to cast of her mourning dress and reenter society. But, unbeknownst to them, they'd already met...