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Wednesday, December 14, 2016

The Mummer’s Play by guest author Jenna Jaxon plus an excerpt

by Guest Author Jenna Jaxon
The Mummer’s Play
Displaying mummers.jpgThe Mummer’s Play
The Middle Ages were a time of religious conviction in all facets of daily life. This included the theatre of the period, that was, at least in the early days, unhappy with theatrical performances. Once the Church discovered the teaching ability of theatre, however, they began to use dramatic performances to educate a mostly illiterate populace.
By the Late Medieval period, however, entertainers had strayed from the strictly religious performances, and troupes of entertainers, mummers as they were often called, traveled throughout Europe giving performances in town squares and noble households. These plays were often taken not only from Bible stories, but from legends and tales of heroes. One particular set of plays they undertook were called “guises” because the actors were disguised in often outlandish costumes. One play in particular, “St. George and the Dragon,” was immensely popular. (That is why I included it in Seduction at the Christmas Court.)
The costumes, as I noted above, could be very strange and fantastical. Men dressed as women and in some case animals. St. George traditionally wore “silver armor, helmet, sword and shield with St. George and the Dragon” on it. His adversary, the Turkish Knight, dressed in “red trousers, blue loose jacket, turban, sword, and a shield with crescent.” And the Doctor, the Prince of Quacks, is styled in a “black swallow-tail coat and knee breeches, white waistcoat, perruque [wig], long nose.”
The texts of the plays were mostly rhymes and could include songs and dances.

Displaying mummers.jpg
TURKISH KNIGHT
Here comes I, the Turkish knight
Just come from Turkey-land to fight
I’ll fight thee, St. George-St. George, though man of courage bold,
If thy blood be too hot, I’ll quickly fetch it cold.

TURKISH KNIGHT
Wo ho! my little fellow, thou talkest very bold,
Just like the little Turks, as I have been told;
Therefore, thou Turkish knight,    {Threatening him}
Pull out thy sword, and fight;
Pull out thy purse and pay;
I’ll have satisfaction ere thou goest away.

The major actors/entertainers were the hero (St. George, Robin Hood, or in Scotland Galoshin) and a quack doctor who miraculously brings the slain villains back to life by means of a magic potion. The plays were performed exclusively by men, who played the female roles as well. These entertainers needed to additional skills in entertaining, such as acrobatics, juggling, singing, and mimicry.
Christmas time was a great time for merriment, and the mummer’s play was a fun way to pass the long winter’s evening in rhyme, song, dance, and merriment.

Christmas tidings of comfort, joy, and temptation
BLURB:
Alyse and Geoffrey, Lord and Lady Longford, have journeyed to the glittering Christmas Court of King Edward III in the year 1349 to wait upon the king and take part in some Yuletide merriment. However, when Geoffrey is suddenly called into the king’s service again, Alyse must remain at court, attending the queen and persuading her rebellious sister to accept an unwanted betrothal. When rumors of Geoffrey’s death arise, Alyse fends off an old suitor who wants to renew their friendship. But how long will he take “No” for an answer?
Here is an excerpt from Jenna's book:
“This entertainment will be tedious. I would much rather retire for a good night’s bedding right now,” he whispered, the puff of his breath tickling her ear and sending prickles of excitement down her neck.
She laced their fingers together. “’Twill be finished ‘ere long, my love. Then you can wield your weapon with a vigor yon knights cannot.”
He laughed and drank deeply. “Aye, sweet Alyse. My skill with both weapons outshines any other knight.”
“As you will not want me to be judge of that, I think, I will demur to your claim, although I will test your skills again with the one blade ‘ere the night is done.”
At Geoffrey’s bark of laughter—so loud it turned heads on the dais their way—Alyse settled back to watch the mummers, her cheeks burning, but a pleasant anticipation building within as well.
The mummer playing St. George took the center spot in the Great Hall and began a sing-song rhyme that soon had the court laughing at its nonsense. A stream of knights—played in turn by the other mummers—approached, made their rhyming challenge, and were quickly slain by St. George, whose wielding of his sword became swifter and swifter. He slayed the knights in such short order that by the time he faced the final knight, he did no more than look at the Turkish knight than the man fell down, his toes jingling softly as he landed on the soft rushes covering the floor.
A burst of laughter and applause followed that performance as the quack Doctor shuffled forward, his “magic potion” in a large bottle, gripped in his hand.
Thoroughly engrossed, Alyse laughed and clapped her hands. She held her breath and leaned forward as the Doctor poured the potion down the throats of the slain knights, spoke his own rhyme over them, and one by one, they began to twitch and dance, the rush-strewn floor seeming to come alive as they did. The room resounded with merriment as all seven knights revived.
Loud applause burst out from the courtiers, many of whom threw gold and silver coins onto the floor. Geoffrey tossed a gold florin to the Turkish knight. “For my lady’s pleasure,” he called.
The man nimbly caught the coin and made a deep bow. “Thank you, my lord.”
With a lecherous grin, Geoffrey grasped Alyse’s arm and urged her to rise. “And now allow me to attend to my lady’s pleasure as well.”

Today, Jenna is giving away a copy of one of her backlist Christmas books. Winner may choose which one to receive.
AUTHOR BIO:
Jenna Jaxon is a multi-published author of historical in all time periods because passion is timeless.  She has been reading and writing historical romance since she was a teenager.  A romantic herself, she has always loved a dark side to the genre, a twist, suspense, a surprise.  She tries to incorporate all of these elements into her own stories. She’s a theatre director when she’s not writing and lives in Virginia with her family, including two very vocal cats.
Jenna is a PAN member of Romance Writers of America as well as Vice-President of Chesapeake Romance Writers, her local chapter of RWA. She has three series currently available: The House of Pleasure, set in Georgian England, Handful of Hearts, set in Regency England, and Time Enough to Love, set in medieval England and France.
She currently writes to support her chocolate habit.
Find Jenna Jaxon online:


2 comments:

Jenna said...

Thank you so much for hosting me today on Historical Hussies, Donna! This is such a great blog I'm always excited to be part of it.

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