Search This Blog

Showing posts with label Elizabeth Chadwick. Show all posts
Showing posts with label Elizabeth Chadwick. Show all posts

Friday, September 16, 2011

Guest Elizabeth Chadwick: Medieval Pregnancy and Childbirth


Linda Banche here. My guest today is Elizabeth Chadwick and her medieval historical novel, Lady of the English, set in 12th century England.

Leave a comment with your email address for a chance to win the copy of Lady of the English which Sourcebooks has generously provided. Elizabeth will select the winner. Check the comments to see who won, and how to contact me to claim your book. If I cannot contact the winner within a week of selection, I will award the book to an alternate. Note, Sourcebooks can mail to USA and Canada addresses only.

And the winner Elizabeth selected is catslady! Congratulations, catslady, and thanks to all for coming over.

Welcome, Elizabeth!

Elizabeth Chadwick:

Thank you ladies for inviting me onto your blog to write a guest post!

I thought I'd talk a little bit about pregnancy and childbirth in the period of Lady Of The English.

Lady Of The English is about two Medieval women, Empress Matilda, daughter of King Henry I of England and Adeliza of Louvain, Matilda's stepmother, who was a couple of years younger than Matilda herself. In political terms, it's the story of Matilda's struggle to gain the English crown after it is usurped by her cousin Stephen, and how Adeliza helped her in this endeavour, while treading a difficult path of her own due love and loyalty. In the emotional sense, it's about how these women coped with their lives in very difficult circumstances - some of their own making. It’s also about how they dealt with the physical hardships that were the lot of women in the 12th century, not least bearing children.

Today in Western society we have contraception as a matter of course. We have access to excellent healthcare both preconception and throughout pregnancy, childbirth and afterwards. We have drugs to control the pain and medical intervention on hand should there be an emergency. But in the 12th century it was a very different state of affairs. Contraception, although known, was haphazard and frowned upon by the church. Sexual intercourse was supposed to take place for the purpose of procreation, and to indulge without that expectation was to commit a sin. I'm sure people did have sex for fun, and followed contraceptive practices. I'm sure it was a rule that was treated with differing levels of gravity depending on a person's attitudes, but nevertheless it did exist. One suggested contraceptive trick was for the woman to tie the testicles of a weasel round her neck. Other than keeping her partner away, I can't see this it would have been very effective! Putting lettuce leaves under the man’s pillow would also seem to be a dubious way of preventing pregnancy. However, coitus interruptus and pieces of moss soaked in vinegar and appropriately inserted may have had more success.

For the aristocracy, producing numerous children seems to have been the approved norm. Women married young and by their mid-teens were usually embarked upon a breeding program. The age of their husbands was more variable. Adeliza of Louvain was perhaps seventeen or eighteen when she married Henry I. He was well into his fifties and she was his second wife. He had two legitimate children from his first marriage, and at least twenty bastards born of various other women. Adeliza and Henry had no children during their fifteen year marriage. Empress Matilda had been married to the Emperor of Germany who was about eleven years older than her. She may have had one child with him, but it died soon after birth. When her husband died, she returned to Normandy where her father married her to Geoffrey of Anjou who at the time of their marriage was only fourteen years old to Matilda's twenty six. It was going to be five years before they had any children, although some of this time was spent in separation from each other. The marriage doesn't appear to have been a happy one.

Eventually, the couple got back together, and Matilda bore their first son, the future Henry II in spring 1133. Producing a son would have been a feather in Geoffrey’s cap, not just because male heirs were valued, but because it was believed that if the male seed was the strongest, then a boy child would result. If the female seed was dominant, the baby would be a girl. So a boy child was even more a reflection on a man's virility.

Aristocratic women and those from wealthier families would retire into confinement in the later stages of pregnancy. This meant that for perhaps the last month they would be shut away from the world in a special room that had been prepared for them to give birth. Perhaps it was a bit like going back into the womb! At the best it was an enclosed and secure women's enclave where the expectant mother could rest and relax with companions and attendants. At worst it must have felt claustrophobic and perhaps like a prison. Peasant women didn't have a choice and just got on with their daily lives.

After the baby was born, the new mother would continue to remain in her chamber for another 40 days before emerging for her churching ceremony, for which she would receive gifts and have lovely new clothes to wear. The churching ceremony welcomed a woman back into society and gave thanks for the safe delivery. It made her ‘clean’ again, and able to resume all the duties of a wife. In the aristocracy this meant handing the baby over to a wet nurse and getting back into the breeding programme.

Empress Matilda bore Henry II in March 1133. By September of the same year she was pregnant again with her second son, Geoffrey, who almost cost Matilda her life. We don't know what happened but following the birth she was so seriously ill, that she made provision for her own funeral. She wanted to be buried at the Abbey of Bec. Her father wanted her to be buried in Rouen Cathedral and there was something of an altercation between father and daughter - so at least even in extremity Matilda still had the strength to argue! In the event, she survived her ordeal, but that must have been down to her strong constitution. Medical interventions for women struggling in labour, or suffering complications after the delivery, were few, rudimentary, and steeped in superstition. The Trotula, a compendium of women's medicine written in the 11th century, advises a woman having difficulty giving birth to take a warm herbal bath, and that her ‘sides, belly, hips, and vagina be anointed with oil of violets or rose oil.’ She was also to be rubbed vigorously and given a drink made with sugar vinegar and pomegranate juice. She was to be encouraged to sneeze and to be led at a slow pace through the house. If none of this worked, other remedies included drinking the milk of another woman, eating butter or cheese into which special words had been carved, or having a snakeskin tied around the loins. But basically, if you didn’t push the baby out on your own, you’d shot it. If you succeeded, you then had to hope you didn't suffer severe bleeding, a retained placenta, or develop a fever.

Despite her ordeal, Matilda, on returning to a husband became pregnant again and gave birth to a third son, William in 1136 (How virile that must have made Geoffrey of Anjou feel!). After that, there were no more children. One suspects that with three sons in the bag, this might well be a conscious decision on the part of the parents.

Adeliza of Louvain was barren throughout her fifteen years of marriage to Henry I, and this despite the fact that he was still merrily siring bastards on other women. We can only speculate on the reasons he and Adeliza were not fertile with each other.

After he died, she married again to William D’Albini, a royal steward, and immediately became pregnant. She married him in 1138, and when they parted 10 years later she had borne him at least six children - perhaps seven, risking herself year upon year in pregnancy and childbirth. I suspect that her inability to have children with Henry I probably put Adeliza in the mindset of those in the population who thought that sexual intercourse should be open to the possibility of conception every time it happened, and that quickening with a child was a gift from God and to be welcomed. It must have taken a toll on her health though. She would have been about thirty five when she bore her first child. She entered a nunnery in 1148 and died in 1151, when her oldest son would only have been about twelve, and her youngest perhaps three or four. William D’Albini did not remarry although he survived her by twenty five years.

All in all, previous centuries were fraught times for women. Men went to battle, and so did their wives and mistresses. Even today outside of societies with access to good medical care, women and their babies continue to be at high risk during the birth process. Having borne two healthy sons myself and having had the choice of when and where and how, I have enormous respect and admiration for my sisters and I am so glad I did not have to go through what they did!

LADY OF THE ENGLISH by ELIZABETH CHADWICK
Matilda, daughter of Henry I, knows that there are those who will not accept her as England’s queen when her father dies. But the men who support her rival Stephen do not know the iron will that drives her.

Adeliza, Henry’s widowed queen and Matilda’s stepmother, is now married to a warrior who fights to keep Matilda off the throne. But Adeliza, born with a strength that can sustain her through heartrending pain, knows that the crown belongs to a woman this time.

In the anarchy, in a world where a man’s word is law, how can Adeliza obey her husband while supporting Matilda?
How long can Matilda fight for the throne that she has struggled so bitterly to win?

About the Author
Elizabeth Chadwick is the author of 17 historical novels, including The Greatest Knight, The Scarlet Lion, A Place Beyond Courage, For the King's Favor, Shadows and Strongholds, The Winter Mantle, The Falcons of Montabard, and To Defy a King, six of which have been shortlisted for the Romantic Novelists' Awards. visit her at her website at http://www.elizabethchadwick.com/

Friday, September 17, 2010

Guest Elizabeth Chadwick: The Body Beautiful

Linda Banche here. Today I welcome acclaimed author Elizabeth Chadwick, whose latest book is the historical novel, For the King's Favor, set in the time of Henry II. Here Elizabeth gives us a fascinating peek into the world of a medieval makeup.

Leave a comment for a chance to win one of the two copies of For the King's Favor which Sourcebooks has generously provided. Elizabeth will select the winners. Check the comments to see who won, and how to contact me to claim your book. If I cannot contact the winners within a week of their selection, I will award the books to alternates. Note, Sourcebooks can mail to USA and Canada addresses only.

The winners Elizabeth selected are StephB and catslady. OK, you two, I know who you are (*g*) and I have your addresses. Congratulations.

Welcome, Elizabeth!

Many thanks to Historical Hussies for inviting me to talk on their blog.

“Under Hodierna’s supervision, Ida crushed the ingredients for a hair fragrance in a mortar. There were dried rose petals and watercress, scrapings of nutmeg and powdered root of galangal. A wonderful aroma arose from the blended elements, fresh and clean, but with an underlying sultry, spicy warmth. “Now add the rosewater,” Hodierna instructed “but carefully, no more than a spoonful at a time.”

This excerpt from For the King’s Favor comes from a scene where Ida de Tosney, the heroine, is pondering her future while another woman skilled in cosmetic lore is showing her how to make a perfumed lotion to comb through her hair.

It is an actual medieval recipe and is taken from a translation of The Trotula, a compendium of women’s medicine (including beauty tips) written in the late 11th or early 12th century and widely disseminated from its origins in Salerno. Want to brighten your mousey hair to gold? Then ‘cook down dregs of white wine with honey to the consistency of a cerotum (wax based ointment) and anoint the hair.’ And ‘If you wish to have hair soft and smooth and fine, wash it often with hot water in which there is powder of natron and vetch.’ Natron is sodium carbonate and was used to soften water and remove oil and grease.

The Trotula also says ‘Noblewomen should wear musk in their hair, or clove, or both, but take care that it is not seen by anyone. Also the veil with which the hair is tied should be put on with cloves and musk, nutmeg and other sweet smelling substances.’

We often tend to think of dirt and disgusting smells when we think about the middle ages, and while it is true they did not bathe themselves to death, a life of stench and grime is not the entire story. Just like today, there were different views on the matter of the body beautiful. Cleanliness and smelling sweet were indications of godliness. Cosmetics were often seen as vanity by the church, but that did not stop women who had the resources from using them. Numerous recipes for beautifying agents, perfumes and mouthwashes, existed in the Middle Ages, including a minty one!

Not all of the recipes are as delightful as Ida’s hair tonic it has to be said.

‘For whitening the face and clarifying it. Take the juice of pignut (a root from a tall growing plant) and mix steer or cow marrow with it, and let them be ground. And in these ground things add powder of aloe, cuttlefish bone, white natrol, and dove dung. Let all these be ground and let there be made an ointment. With this ointment, the woman should anoint her face.’ That’s one concoction I would rather not try! But then again, the range of chemicals that go into our own beauty products are probably a tad worrisome if you actually study the ingredients list.

A male historian called Gilbertus Anglicanus wrote the Compendium Medicinae in around 1240. He says that chips of brazilwood soaked in rosewater will redden the cheeks. Brazilwood came from a tree grown in Asia in the Middle Ages, (not South America which had yet to be discovered).

Gilbert also suggests the use of cyclamen root to whiten the face. There is another recipe from a text called L’ornement Des Dames, that suggested putting wheat in water for a fortnight, then grinding it up and blending with water, straining it through a cloth and letting it evaporate to produce a white powder that could then be mixed with rosewater and applied- to the face.

Many of these recipes and concoctions were for aristocratic and well-to-do women only, but even village women and those of more modest, although not impoverished means, could obtain products to beautify the body. Women in villages remote from the ports and cities where the more exotic ingredients could be obtained, were nevertheless able to purchase sundry products from travelling pedlars. There is a 13th century French song that refers to the contents of a pedlar’s pack and it includes ‘razors, tweezers, looking glasses, toothbrushes, toothpicks, bandeaus and curling irons, ribbons, combs, rosewater… cotton with which they rouge, and whitening with which they whiten themselves.’ For a pedlar to have such items in his pack, he must have had willing buyers, and many of the ingredients for beauty products could be picked and prepared from the hedgerow (although I am not sure I would want to use hand cream made from wild garlic and eggs myself!).

The more I study the medieval period and all its intricate little corners, the more I realise that one size certainly does not fit all, and that while very different from us in many ways, our medieval ancestors are similar too.

There were contradictory schools of thought on many subjects and opposite opinions, just as there are now. I have a close friend who believes that wearing any form of makeup is a pointless fluff, and another who thinks that applying one’s face for the day is essential. I have no doubt that such differences of opinion abounded in the 12th century. I also have no doubt that given the survival of the human race, the same opinions will be around 500 years from now and we’ll still be using cosmetics extensively.

Bibliography.
The Trotula – An English translation of the Medieval Compendium of Women’s Medicine by Monica H. Green
The Artifice of Beauty: A History and Practical Guide to Perfumes and Cosmetics by Sally Pointer.
The Senses in Late Medieval England by C.M. Woolgar.


FOR THE KING’S FAVOR BY ELIZABETH CHADWICK—IN STORES SEPTEMBER 2010
A bittersweet tale of love, loss, and the power of royalty…

A captivating story of a mother’s love stretched to breaking and a knight determined to rebuild his life with the royal mistress, For the King’s Favor is Elizabeth Chadwick at her best. Based on a true story never before told and impeccably researched, this is a testament to the power of sacrifice and the strength of love. When Roger Bigod, heir to the powerful earldom of Norfolk, arrives at court to settle an inheritance, he meets Ida de Tosney, young mistress to King Henry II. In Roger, Ida sees a chance for lasting love, but their decision to marry carries an agonizing price. It’s a breathtaking novel of making choices, not giving up, and coping with the terrible shifting whims of the king.

ABOUT THE AUTHOR

Elizabeth Chadwick lives near Nottingham with her husband and two sons. She is the author of 18 historical novels, including The Greatest Knight, The Scarlet Lion, A Place Beyond Courage, Lords of the White Castle, Shadows and Strongholds, the Winter Mantle, and the Falcons of Montabard, four of which have been shortlisted for the Romantic Novelists’ Awards. Much of her research is carried out as a member of Regia Anglorum, an early medieval re-enactment society with the emphasis on accurately re-creating the past. She won a Betty Trask Award for The Wild Hunt, her first novel. For more information, please visit http://www.elizabethchadwick.com/.